SMALL CREEKS (23/06/2010) 
Touching colorful journey of a young old man who rediscovers life by the same author the original cartoon. Prevost is irresistible and the small number of puppet characters portrayed is pretty darn funny.
COPY E (19/05/2010) 
An ode to Juliette Binoche often caustic but ultimately rather repetitive, very clean and rather effete. A ping-pong two-hour film but elegantly dry sweaty.
ROBIN B OIS (05/12/2010) Gladiator on a horse with a bow and arrows. A well-made film, full of action and drama and filmed Ridley Scott. Calibrated and rhythmic, but ... that's what ... what else?
IN HIS EYES (05/05/2010) 
dramatic-romantic thriller A beautifully filmed and featuring the most admirable character than the other played by wonderful actors, Ricardo Darin top .
Mammuth (21/04/2010) It seems to witness the rebirth of a great actor. Depardieu and great (and good company) in the film as accessible as the duo-Kervern Delepine, enhanced as usual a social problem derided.
COUNTESS (21/04/2010) Delpy his small orchestra Barnum dressed in a skillfully and wisely use a stern order to achieve better contrast with the inner storm who turns his character.
EIGHT STAND (14/04/2010) 
Xabi Molia happening in feature film and gives us a cute film that accents in comedy portrays two compassionate social losers trying to keep afloat while drinking a few cups.
DRAGONS (31/03/2010) After several years of domination by Pixar, Dreamworks steals the show at home with a movie Lasseter Nordic funny, intelligent bluffing by the care given to the psychology of the characters. Brilliant.
ALICE IN WONDERLAND (24/03/2010) expected as the pure vision of the universe of Carroll by one of its most fervent artistic descendants, this Alice Digital Baroque ( to avoid in relief) is very disappointing and certainly the worst Tim Burton movie to date.
THE TIME OF THE FAIR HAS ENDED (17/03/2010) First Bordeaux Chignac fiction that rings true and devoted Stephane Guillon and beautiful Aissa Maiga in a face-to-face where skin color matters ultimately less than the ideas we have of it.
SOUL KITCHEN (17/03/2010) Walk funky Germano-Greek, one of the most enjoyable films of the year which assumes completely his schoolboy side and demonstrated a boundless love for his characters endearing as full of flaws.
THE PIVELLINA (02/17/2010) 
The real movies that tend to forget that he will always be movies, and wanting to resemble the documentary, the film loses interest. And what kind of story does not move me.
I LOVE YOU PHILIP MORRIS (10/02/2010) Two straight in a gay movie (and gay-friendly) explosive and always on the tightrope, it is huge, especially when These are Jim Carrey and Ewan McGregor and they give themselves completely to their roles.
ANVIL! (03/02/2010) A
docs of the year, must see: the incredible story of great drama and heavy-metal group the least known of the world. Effective, funny and ironically (to music) filled with tenderness and humanity.
MOTHER (27/01/2010) Directions heart and soul of a mother who seeks redemption led to madness by a prodigious filmmaker key-on and worn by an actress overwhelming. In the same style, better than Poetry.
GAINSBOURG (HEROIC LIFE) (20/01/2010) is a movie but this is not one is an inner life into images by a cartoonist who inspired constructs more a tribute to man even in his extremities in songs and fantasy.
A SERIOUS MAN (20/01/2010) Storm in the inner life of a college professor honest Jew who would be a good mensch ... but runs at the same time the American dream and the shackles of his obedience. Hard drive. And funny funny.
A SMALL AREA OF TURBULENCE (13/01/2010) Written by Michael White who endorses (yet) the role of Calimero service, you could fear the repetition but ultimately it is rather well built, well thought out and not quite unconscious of the ridicule of everyday life.
INVICTUS (13/01/2010) Beyond shortcuts and the concrete speech, sign Eastwood grandpa still a wonderful classic film on the patience of man power but Mandela realistic about his political cause.
BRIGHT STAR (06/01/2010) undeniably a beautiful film about love or rather his own expression, carried by Abbie Cornish, but is slightly longish (despite the small winding between Cannes and its output) and a little static.
0 comments:
Post a Comment