My Dogs Eyes Are Swelled Up

AMORE

At first glance, Amore is a film that has little going for it. A about the real and naturalistic as possible without much interest, many of the characters and transparent, a bombastic staging and the plastic somewhat confusing Tilda Swinton as a foreground. Yet Amore is a movie simply fantastic, and perhaps because-as all his faults - more disturbing than each other - manage to enter into resonance and vanish miraculously, finally giving the work a dimension grandiose as Luca Guadagnino has the tact to use them wisely. Playing with the codes of another era allies staged Baroque assumed until the end, it transforms an ordinary story mores opera tragi-comic fiction deliciously kitschy accents. If
extramarital giving the film its backbone is far from glamorous, it flooded aesthetic biases acquires its letters of nobility, not to mention the provision of Tilda Swinton, androgynous figure who may fascinate in that role against the current of the presence it gives off. Dating
carnal sublimated fuzzy or suggestive tensions borne up the abuse by one overwhelming symphonic music, anything that could sink the film utterly ridiculous in a bold and parenthesis that is never sticky and spirited casual always borderline but never vulgar, this Italian film making surprisingly little chatterbox as a surprise that can only divide opinion, but not indifferent.

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Amore (Io sono l'amore) Luca Guadagnino - 1:58 - Released: 22/09/2010 at Ad Vitam