There are many films that I 've seen and have been denied their stammers right here-or because I did not have time to write, not envy, is not known what to say. So, I decided (a bit like Rob but not for the same reasons) to catch me with a session Express Reviews (in three lines or not far) - the first but surely not last - which allows me to defy my laziness.
BAREFOOT ON THE SLUG S (01/12/2010)
Not an easy topic and some hesitation in the staging attest to this. Nevertheless, Fabienne Berthaud is doing really well, between malice and delusion, 16 and 35mm, aided by two actresses light.
Rapunzel (01/12/2010)
Mignon all full, graphically pleasing and sprinkled with some good moments of laughter. Pity that the texts of the songs are so-gnan gnan and little rough and charismatic characters ...
THE NAME OF THE PEOPLE (11/24/2010) Talking politics
laughing without laying a film clumsy, it is rather delicate, yet very successful for this clever comedy politicized scenario that can not appeal to right-wingers. On leaving we would almost want to spend a night with Sara Forestier ... or Bahia ...
HARRY POTTER AND THE RELICS OF DEATH - Part 1 (24/11/2010)
We suspected that David Yates is hiding something. He signed no less than the best episode of Harry Potter to date, with ambitious achievement, effects and cared deeply about the characters work.
THE PRINCESS OF M ON TPENSIER (03/11/2010)
Despite the strength of the cast and its magnificent trio Thierry-Personnaz-Ulliel, the film loses some dramatized in lengths where we were entitled to expect some spirited which happens only in snatches.
GIRLS IN BLACK (11/03/2010)
Suicide teenager, a dicey topic for Jean Paul Civeyrac if that gives heart to the book, does not seem completely master his subject. Film subdued, very (too?) Writes, darker than black, and somewhat monolithic.
VENUS NO IR E (10/27/2010)
Kechiche The propensity to shoot the real trick here is not at its peak in the coldness and brutality of the scenes, with a puzzling timidity to show emotions. Long, raw, repetitive surgical ambiguous tribute to a martyr of the 18th century.
The Social Network (10/13/2010)
A demonstration of great cinema. Abundant, and damn smart rhythmic Fincher loves it abandons its stylistic focus on staging sober and efficient motor gear tied up perfectly.
ILLEGAL (13/10/2010)
one flawless realism, despite there are scenes of hardness undisguised in this film a real empathy for heroin, which carries with it the whole drama of history.
Sarah '(13/10/2010) Interesting
human drama with the backdrop of the tragic fate of a young girl whose parents were deported following the episode Vel d'Hiv 'who spends Kristin Scott Thomas, an absolute accuracy.
a man who shouts (09/29/2010)
Jury Prize at Cannes, this man shouted but ultimately very little scream inside. Internally so that the gravity of about button not really move. Remains a quality film, but not transcendent.
WALL STREET: THE MONEY NEVER SLEEPS (09/29/2010)
The specialist about news overdramatization financial returns with a thriller about the first part pleasant and talkative, falsely complex and ultimately boring.
AO, DENYING THE DER Neanderthal (09/29/2010)
A little too much television to be truly credible, educational, simplistic, didactic, which takes into account the possible youth of the beholder , AO is not so far bad, just average.
HAPPY FEW (15/09/2010)
modern fable about love free vintage but modest, which dissects the emotions as the characters know less and less to choose from, which results As often at an impasse.
THE TOWN (15/09/2010)
Ambitious and asked, modern and classic at the time, Ben Affleck shown great maturity in his staging, which contrasts with its role fake but real nasty undecided.
NOISE IN ICE (08/25/2010)
Between large number of actors and dramatic surreal farce, Blier distilled dialogues sometimes thick and hissing, but sometimes vulgos and dusty, and the rhythm of the script suffers from heavy vacuum passages in Part II.
THE KILLER INSIDE ME (08/11/2010)
Fessant, brutalizing and killed with detachment, Casey Affleck bipolar character consists while disturbing Winterbottom distills the horror thriller inspired with a great class, but also extremely disturbing violence.
AGE REASON (28/07/2010)
After the unbearable Playground , Yann Samuell recurrence with a soft comedy, crass and naive moralist just saved by Sophie Marceau ... not really actually ...
TOY STORY 3 (07/14/2010)
Intelligent, beautiful and funny, but not enough to beat a teddy bear after Ratatouille, Wall-E and Upstairs . Well OK, I've never been very big fan of the first two Toy Story .
SPLICE (30/06/2010)
Frankenstein dusted, feminized and eroticized by the director of Cube: SF disgusting and not a story that could have been further developed to focus less on the somewhat predictable misadventures of the three main characters.
The next episode ...
BAREFOOT ON THE SLUG S (01/12/2010) Not an easy topic and some hesitation in the staging attest to this. Nevertheless, Fabienne Berthaud is doing really well, between malice and delusion, 16 and 35mm, aided by two actresses light.
Rapunzel (01/12/2010) Mignon all full, graphically pleasing and sprinkled with some good moments of laughter. Pity that the texts of the songs are so-gnan gnan and little rough and charismatic characters ...
THE NAME OF THE PEOPLE (11/24/2010) Talking politics laughing without laying a film clumsy, it is rather delicate, yet very successful for this clever comedy politicized scenario that can not appeal to right-wingers. On leaving we would almost want to spend a night with Sara Forestier ... or Bahia ...
HARRY POTTER AND THE RELICS OF DEATH - Part 1 (24/11/2010) We suspected that David Yates is hiding something. He signed no less than the best episode of Harry Potter to date, with ambitious achievement, effects and cared deeply about the characters work.
THE PRINCESS OF M ON TPENSIER (03/11/2010) Despite the strength of the cast and its magnificent trio Thierry-Personnaz-Ulliel, the film loses some dramatized in lengths where we were entitled to expect some spirited which happens only in snatches.
GIRLS IN BLACK (11/03/2010) Suicide teenager, a dicey topic for Jean Paul Civeyrac if that gives heart to the book, does not seem completely master his subject. Film subdued, very (too?) Writes, darker than black, and somewhat monolithic.
VENUS NO IR E (10/27/2010) Kechiche The propensity to shoot the real trick here is not at its peak in the coldness and brutality of the scenes, with a puzzling timidity to show emotions. Long, raw, repetitive surgical ambiguous tribute to a martyr of the 18th century.
The Social Network (10/13/2010) A demonstration of great cinema. Abundant, and damn smart rhythmic Fincher loves it abandons its stylistic focus on staging sober and efficient motor gear tied up perfectly.
ILLEGAL (13/10/2010) one flawless realism, despite there are scenes of hardness undisguised in this film a real empathy for heroin, which carries with it the whole drama of history.
Sarah '(13/10/2010) Interesting human drama with the backdrop of the tragic fate of a young girl whose parents were deported following the episode Vel d'Hiv 'who spends Kristin Scott Thomas, an absolute accuracy.
a man who shouts (09/29/2010) Jury Prize at Cannes, this man shouted but ultimately very little scream inside. Internally so that the gravity of about button not really move. Remains a quality film, but not transcendent.
WALL STREET: THE MONEY NEVER SLEEPS (09/29/2010) The specialist about news overdramatization financial returns with a thriller about the first part pleasant and talkative, falsely complex and ultimately boring.
AO, DENYING THE DER Neanderthal (09/29/2010) A little too much television to be truly credible, educational, simplistic, didactic, which takes into account the possible youth of the beholder , AO is not so far bad, just average.
HAPPY FEW (15/09/2010) modern fable about love free vintage but modest, which dissects the emotions as the characters know less and less to choose from, which results As often at an impasse.
THE TOWN (15/09/2010) Ambitious and asked, modern and classic at the time, Ben Affleck shown great maturity in his staging, which contrasts with its role fake but real nasty undecided.
NOISE IN ICE (08/25/2010) Between large number of actors and dramatic surreal farce, Blier distilled dialogues sometimes thick and hissing, but sometimes vulgos and dusty, and the rhythm of the script suffers from heavy vacuum passages in Part II.
THE KILLER INSIDE ME (08/11/2010) Fessant, brutalizing and killed with detachment, Casey Affleck bipolar character consists while disturbing Winterbottom distills the horror thriller inspired with a great class, but also extremely disturbing violence.
AGE REASON (28/07/2010) After the unbearable Playground , Yann Samuell recurrence with a soft comedy, crass and naive moralist just saved by Sophie Marceau ... not really actually ...
TOY STORY 3 (07/14/2010) Intelligent, beautiful and funny, but not enough to beat a teddy bear after Ratatouille, Wall-E and Upstairs . Well OK, I've never been very big fan of the first two Toy Story .
SPLICE (30/06/2010) Frankenstein dusted, feminized and eroticized by the director of Cube: SF disgusting and not a story that could have been further developed to focus less on the somewhat predictable misadventures of the three main characters.
The next episode ...
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