Sore Gums After Extraction

Express Reviews - Episode 2: The Return of the rescued 2010 MACHETE

SMALL CREEKS (23/06/2010)

Touching colorful journey of a young old man who rediscovers life by the same author the original cartoon. Prevost is irresistible and the small number of puppet characters portrayed is pretty darn funny.

COPY E (19/05/2010)

An ode to Juliette Binoche often caustic but ultimately rather repetitive, very clean and rather effete. A ping-pong two-hour film but elegantly dry sweaty.

ROBIN B OIS (05/12/2010)

Gladiator on a horse with a bow and arrows. A well-made film, full of action and drama and filmed Ridley Scott. Calibrated and rhythmic, but ... that's what ... what else?

IN HIS EYES (05/05/2010)

dramatic-romantic thriller A beautifully filmed and featuring the most admirable character than the other played by wonderful actors, Ricardo Darin top .

Mammuth (21/04/2010)

It seems to witness the rebirth of a great actor. Depardieu and great (and good company) in the film as accessible as the duo-Kervern Delepine, enhanced as usual a social problem derided.

COUNTESS (21/04/2010)

Delpy his small orchestra Barnum dressed in a skillfully and wisely use a stern order to achieve better contrast with the inner storm who turns his character.

EIGHT STAND (14/04/2010)

Xabi Molia happening in feature film and gives us a cute film that accents in comedy portrays two compassionate social losers trying to keep afloat while drinking a few cups.

DRAGONS (31/03/2010)

After several years of domination by Pixar, Dreamworks steals the show at home with a movie Lasseter Nordic funny, intelligent bluffing by the care given to the psychology of the characters. Brilliant.

ALICE IN WONDERLAND (24/03/2010)

expected as the pure vision of the universe of Carroll by one of its most fervent artistic descendants, this Alice Digital Baroque ( to avoid in relief) is very disappointing and certainly the worst Tim Burton movie to date.

THE TIME OF THE FAIR HAS ENDED (17/03/2010) First

Bordeaux Chignac fiction that rings true and devoted Stephane Guillon and beautiful Aissa Maiga in a face-to-face where skin color matters ultimately less than the ideas we have of it.

SOUL KITCHEN (17/03/2010)

Walk funky Germano-Greek, one of the most enjoyable films of the year which assumes completely his schoolboy side and demonstrated a boundless love for his characters endearing as full of flaws.

THE PIVELLINA (02/17/2010)

The real movies that tend to forget that he will always be movies, and wanting to resemble the documentary, the film loses interest. And what kind of story does not move me.

I LOVE YOU PHILIP MORRIS (10/02/2010)

Two straight in a gay movie (and gay-friendly) explosive and always on the tightrope, it is huge, especially when These are Jim Carrey and Ewan McGregor and they give themselves completely to their roles.

ANVIL! (03/02/2010)
A
docs of the year, must see: the incredible story of great drama and heavy-metal group the least known of the world. Effective, funny and ironically (to music) filled with tenderness and humanity.

MOTHER (27/01/2010)

Directions heart and soul of a mother who seeks redemption led to madness by a prodigious filmmaker key-on and worn by an actress overwhelming. In the same style, better than Poetry.

GAINSBOURG (HEROIC LIFE) (20/01/2010)

is a movie but this is not one is an inner life into images by a cartoonist who inspired constructs more a tribute to man even in his extremities in songs and fantasy.

A SERIOUS MAN (20/01/2010)

Storm in the inner life of a college professor honest Jew who would be a good mensch ... but runs at the same time the American dream and the shackles of his obedience. Hard drive. And funny funny.


A SMALL AREA OF TURBULENCE (13/01/2010)

Written by Michael White who endorses (yet) the role of Calimero service, you could fear the repetition but ultimately it is rather well built, well thought out and not quite unconscious of the ridicule of everyday life.

INVICTUS (13/01/2010)

Beyond shortcuts and the concrete speech, sign Eastwood grandpa still a wonderful classic film on the patience of man power but Mandela realistic about his political cause.


BRIGHT STAR (06/01/2010)

undeniably a beautiful film about love or rather his own expression, carried by Abbie Cornish, but is slightly longish (despite the small winding between Cannes and its output) and a little static.

Erection During Physical

Disappointing ... Reviews

In the prolific career of Robert Rodriguez, there are the parents of Machete : From Dusk Till Dawn ( From dusk till dawn) and Planet Terror . Two films grindhouse version strippers and Grand Guignol, derived directly from the trunk of the cervical troublemaker Mexico (with the help of Tarantino for the first), knowing that it does pretty much everything in his films, music in assembly through course completion. Parentage is obvious from the first minutes of Machete : Series B, do you-in-here, for sure we were not lied about the cargo.
For technical reasons, or perhaps to allow a beginner to try his hand, he told co-directing a team accustomed to Rodriguez-Tarantino: Ethan Maniquis, (co-) editor of his other films. Coincidence or consequence, Machete happens to be well below the previous games ... Starting
generic cardboard and licked, the establishment of history leaves then break a topical issue: illegal immigration between Mexico and Texas. Rodriguez uses them to embroider a first frame around the fate of Machete, a former cop bulldozer condemned to wander the streets after a villain named Torres, played by Steven Seagal stiff and swollen, has murdered his wife and child.
On this tone, the first half of the film is an exhilarating concentrated reds of genre films, action and derision. Rodriguez and Maniquis are careful to introduce each character: De Niro Texas Senator racist and xenophobic, Jessica Alba immigration agent sexy, vengeful Michelle Rodriguez which it hides, Jeff Fahey and his look that kills mafia henchman of Senator ... What we blithely take for a few good dozen minutes, merely seeing the reds that puts us in the face, especially as found in good old Tronches outputs Planet Terror and One night in hell, like the amazing Tom Savini, a cross between a banker and a dentist biker mafia (and incidentally, former makeup artist Romero).
side action, it also starts strong: blades that slice, heads flying, fire burning, guts and boobs, interspersed with some funny dialogue, nothing best to put into their mouths, in other words. Yet once the sauce ready to take, so we looked forward to the ultimate deluge bourrinage that will lead inexorably to a conclusion in the form of warm outlet, the bellows falls ... If Rodriguez and his little buddy Maniquis great in action, it is different for dialogue scenes, which even if they are assumed redundant and as such, never the genius of an aimless 20-minute set directed by Tarantino. It wades serious about the last half hour, and strangely it comes to forget the second degree, which also seems to fade away by itself. Some characters are suddenly overshadowed, like Lindsay Lohan, sloppy and conducting a coming-out avenger as hackneyed as flawed, or Machete himself, few ubiquitous for a hero.
We were promised a final Dante, we will extract, or each villain has a right to its end at him another way to break a little more pace, already long lost.
In conclusion it is with unconcealed disappointment as we contemplate the credits scroll, with the feeling of having enjoyed that half of a film expected to be a messiah fendard culture grindhouse. We want a little Rodriguez to help keep as much chance of his side to come up with something just right, saying that instead of fiddling fun special effects, music and editing it might have done better monitor a bit more what matters in the first place ... that is to say its realization.

_____
Machete Robert Rodriguez and Ethan Maniquis - 1:45 - Released on 01/12/2010 at Sony Pictures

Blue Spiny Lizard Eat Pinkies

Express - Episode 1: fished the 2010

There are many films that I 've seen and have been denied their stammers right here-or because I did not have time to write, not envy, is not known what to say. So, I decided (a bit like Rob but not for the same reasons) to catch me with a session Express Reviews (in three lines or not far) - the first but surely not last - which allows me to defy my laziness.

BAREFOOT ON THE SLUG S (01/12/2010)

Not an easy topic and some hesitation in the staging attest to this. Nevertheless, Fabienne Berthaud is doing really well, between malice and delusion, 16 and 35mm, aided by two actresses light.

Rapunzel (01/12/2010)

Mignon all full, graphically pleasing and sprinkled with some good moments of laughter. Pity that the texts of the songs are so-gnan gnan and little rough and charismatic characters ...

THE NAME OF THE PEOPLE (11/24/2010) Talking politics

laughing without laying a film clumsy, it is rather delicate, yet very successful for this clever comedy politicized scenario that can not appeal to right-wingers. On leaving we would almost want to spend a night with Sara Forestier ... or Bahia ...

HARRY POTTER AND THE RELICS OF DEATH - Part 1 (24/11/2010)

We suspected that David Yates is hiding something. He signed no less than the best episode of Harry Potter to date, with ambitious achievement, effects and cared deeply about the characters work.

THE PRINCESS OF M ON TPENSIER (03/11/2010)

Despite the strength of the cast and its magnificent trio Thierry-Personnaz-Ulliel, the film loses some dramatized in lengths where we were entitled to expect some spirited which happens only in snatches.

GIRLS IN BLACK (11/03/2010)

Suicide teenager, a dicey topic for Jean Paul Civeyrac if that gives heart to the book, does not seem completely master his subject. Film subdued, very (too?) Writes, darker than black, and somewhat monolithic.

VENUS NO IR E (10/27/2010)

Kechiche The propensity to shoot the real trick here is not at its peak in the coldness and brutality of the scenes, with a puzzling timidity to show emotions. Long, raw, repetitive surgical ambiguous tribute to a martyr of the 18th century.

The Social Network (10/13/2010)

A demonstration of great cinema. Abundant, and damn smart rhythmic Fincher loves it abandons its stylistic focus on staging sober and efficient motor gear tied up perfectly.

ILLEGAL (13/10/2010)

one flawless realism, despite there are scenes of hardness undisguised in this film a real empathy for heroin, which carries with it the whole drama of history.


Sarah '(13/10/2010) Interesting

human drama with the backdrop of the tragic fate of a young girl whose parents were deported following the episode Vel d'Hiv 'who spends Kristin Scott Thomas, an absolute accuracy.

a man who shouts (09/29/2010)

Jury Prize at Cannes, this man shouted but ultimately very little scream inside. Internally so that the gravity of about button not really move. Remains a quality film, but not transcendent.

WALL STREET: THE MONEY NEVER SLEEPS (09/29/2010)

The specialist about news overdramatization financial returns with a thriller about the first part pleasant and talkative, falsely complex and ultimately boring.

AO, DENYING THE DER Neanderthal (09/29/2010)

A little too much television to be truly credible, educational, simplistic, didactic, which takes into account the possible youth of the beholder , AO is not so far bad, just average.

HAPPY FEW (15/09/2010)

modern fable about love free vintage but modest, which dissects the emotions as the characters know less and less to choose from, which results As often at an impasse.

THE TOWN (15/09/2010)

Ambitious and asked, modern and classic at the time, Ben Affleck shown great maturity in his staging, which contrasts with its role fake but real nasty undecided.

NOISE IN ICE (08/25/2010)

Between large number of actors and dramatic surreal farce, Blier distilled dialogues sometimes thick and hissing, but sometimes vulgos and dusty, and the rhythm of the script suffers from heavy vacuum passages in Part II.

THE KILLER INSIDE ME (08/11/2010)

Fessant, brutalizing and killed with detachment, Casey Affleck bipolar character consists while disturbing Winterbottom distills the horror thriller inspired with a great class, but also extremely disturbing violence.

AGE REASON (28/07/2010)

After the unbearable Playground , Yann Samuell recurrence with a soft comedy, crass and naive moralist just saved by Sophie Marceau ... not really actually ...

TOY STORY 3 (07/14/2010)

Intelligent, beautiful and funny, but not enough to beat a teddy bear after Ratatouille, Wall-E and Upstairs . Well OK, I've never been very big fan of the first two Toy Story .

SPLICE (30/06/2010)

Frankenstein dusted, feminized and eroticized by the director of Cube: SF disgusting and not a story that could have been further developed to focus less on the somewhat predictable misadventures of the three main characters.

The next episode ...