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The son Jo

A vision of what Jo Son, we understand very quickly why its distributor Gaumont has chosen, as was done with Pathe Welcome to the Sticks and repeats with the next Nothing to declare to opt for a pre-release in the Southwest of France, land of rugby, tapes and speaking go (let's say that) ... Same type of nod to a region beloved by the author, some players felt a little accent, small mannerisms and a history steeped in popular culture, family, sport, love, affirmation. With more tact and less ease than its predecessor Dany Boon, Philippe Guillard, which is the first film as writer, screenwriter, dialogue writer and director, succeeds (you can tell) even when his shot. Although
Jo's son is a nice comedy full of good feelings - not a surprise - Guillard takes the trouble to develop this father-son relationship at the center of all problematic, but with a certain lack of affirmation that he does not avoid some of the compulsory figures "touching the French comedy" abuse jokes, the repeated musical interludes, the dramatic tone pompously used as synonymous with reliability. It does not sink into caricature free, do not exaggerate too much features, but Do not instill enough personality not to the protagonists of the story that really focuses on them other than characters fables. Remains at its first Long qualities often more worthy of a TV movie as a work of cinema and the smell of Sunday province a bit nostalgic, not unpleasant but a bit conventional.
Writer regular Fabien Onteniente, one can easily imagine the director of marmoset Camping tackle such a project. In the end, it appears that Guillard clumsy with its sweetness comes out better behind the camera than his mentor, we save the furniture. Good for him and for us.

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Jo's son Philippe Guillard - 1:35 - Released 12/01/2011 (pre-release on 29/12/2010 in South-West) Gaumont in