Conglatulatory Phrases For A Wedding

Rio Sex Comedy

With two pairs of breasts and teasing pout Charlotte Rampling on a single poster was quite right to think that the movie is about to see very little chance of be fundamentally wrong, even if we do not really know what will be served! A bit of 'sex' a lot of 'comedy' and many, many 'Rio' in the new film by Jonathan Nossiter, who returns to fiction after excursions in the documentary field. Mondovino it tells you something? Ben was him.
Director versatile and multicultural, free-born Greek in the United States and living with his girlfriend and children in Rio's famous past few years, it takes quite a pleasure to dissect this city full of surprises and lose (on purpose) his many characters to the intricacies of middle-class neighborhoods of the favelas. An American ambassador arrived leaking responsibilities and is in utopia, a tour guide a bit crook who dreams of a romance with a wonderful Indian sweet breasts, a French ethnologist who lets his libido waking at the expense of professional project , Nossiter quietly built a little naughty and entertaining puzzle around the many pieces uncontrollable based on it.

Yet none of these people is a hero, not even the red Rampling Plastic Surgery / ethics who spends more time trying to discourage his patients and their butcher cellulite. No, heroin is Rio. Strength and weakness of a libertarian and libertine comedy that strays (even voluntarily) out of love for the city field of documentary. This is not an evil in itself, but restraint inherent in this style of comedy is lost in the dynamic assembly and staging its own, and a little dog that has the right to expect, especially after a playful introduction follows the character of Charlotte Rampling dancing and hopping to her new workplace, the sound of music is the film's credits (and it is normally not supposed to hear). Distancing that often comes and shows a willingness to ridicule that goes more or less depending on the situation but we will always accept with kindness, as the tribulations of these fanatics and a few drops of sweat evaporated regaled.

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Rio Sex Comedy Jonathan Nossiter - 1:51 - Released: 23/02/2011 at Ocean Films

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Jim 2, 3 am, i do not want to sleep!

Hello! That night, I did not sleep! too many ideas in mind! portrait on the streets and all that! I could not sleep so I told myself that it will not do anything to keep me painting now if I wanted! So
standing, thoroughly brush and then a lil portrait about an hour.
week I'd probably happens in Amsterdam, I hope to museums and may be paying me my meals by making the picture!

Hey! I Was not Able to sleep this night, Too Many ideas in my head, and if i wanted to paint now, why not? So i woke up it the middle of the night, ready to paint. I did this portrait from a picture I Took of a model in the USA I Used to draw. About a year
hour for this one, i hope you enjoy it!

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Nothing to declare

If Welcome to the Sticks operating at full blast on the candor of the characters and the lightness of a story originally devoid of pretension, the case of Nothing to declare is quite different if not diametrically opposed. From Gentillet
character portrayed by Kad Merad in 2008 when actor supporting roles become the darling of a time of French cinema, so much so that it was difficult during the next two years to find a movie without Kad Merad, Dany Boon introduces an asshole here first, customs psychotic trigger-happy, xenophobic and more particularly anti-French, played wonderfully by Benoit Poelvoorde, experienced player who suffered most auspicious hours. the buddy-movie , then it forks to the duo of characters are total opposites, and of course can not PIFF. Usually this kind of story ends with a reconciliation between the two thieves who learn to endure and change just enough of each side to get there, and this moreover when a comedy public. Here we speak more consensus, and no need to seek the evolution of souls: the nice and stay nice asshole asshole remain. It may be bias as dicey ever been able to Dany Boon, and we do not count either the number of secondary characters Lourens, or downright racist reaction Nothing to declare ...
Where his previous film was surfing on the cartoons to crumple nicely, it is reasonable to ask whether it is playing through foul-smelling or if its protagonists has to use it with reckless doubtful. If the rest of the film uses the same mechanical comic Welcome to the Sticks , thanks to a well oiled gear and as effective as it is not refined, and a backdrop of intrigue drug trafficking a bit wobbly and gently futile.
So of course we let him go to smile or even laugh at jokes, and some dialogs that score, but the underlying darkness will tend to dissonant in places and congest the zygomatic, bringing doubt on the sincerity of a popular comic starts leering dangerously toward the redneck.

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Nothing to declare Dany Boon - 1:48 - Released: 02/02/2011 (pre-North exit and Belgium: 26/01/2011) in Pathé

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Prey

No poster for this French thriller very French to us already announced as THE movie punch in 2011 with a Dupontel even edgier than usual and return to the screen in Alice Taglioni charming cop. The wait is unfortunately marred by a clumsy result, closer to the bad TV movie that the concentrate of adrenaline that we sell, just the same way that A blank Cavayé Fred - I don ' have not yet seen - .

Bouffi references that are never used wisely, Eric Valette's film suffers from all the evils almost. Artificial characters implausible, although misdirected and interpreted in the ladle, except the two roles portrayed by Taglioni and Smithson. Dialogues frozen in the text. Vulgar and bombastic music that has the luxury of plagiarizing the best moments of Bernard Herrmann without even trying to coat them in something with a little bit removed or even original. Prey has beautiful look towards other obvious French detective film current Valletta at no time did the fury of Canet de Do not tell anyone nor the power and brutality of Boukhrief. Except for a few action sequences rather successful, during which Dupontel short, short, short, and short again and again even more quickly by being injured, the film is a bewildering impersonality and transparency even reaching the characters who should be the more typical, as the psychopath portrayed by Stephen Debac and look of the pedophile-killer -type in the Stanley Tucci Lovely Bones .
Not much to save, therefore, even less when it comes to treating the conclusion of the story built exclusively around platitudes, even if the intention was good ... but quickly dézinguée by the complete lack of psychological biases and real film.

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Prey Eric Valette - Released: 13/04/2011 at StudioCanal

гейторент

Painting, colors changing.




Hello! after a short break I'm back. I said it seems to me that I would change these colors, which I did not, it's going!
The portrait is not really true but it does not matter for this table.
Remy, you see the material that you offered me one day serve me a lot! I thank you!
For colors I made the palette of a painting I really liked Jeremy Lipking: "Rachel"
I spend a cuckoo in Aurillac, DEFOIS if by chance my friend Olive you read me:) Hello my
Poulette Mousewoman if you also look at what I do from time to time. I miss you give me your news!
Big kisses to my American friends!

Hello! After a small break, i am back! I Told That I Was Going to Change Color painting of That, Then I'm doing it. It's not anymore EXACTLY Like the original model goal for this one i do not really care. I Took colors from a painting That I really love, from Jeremy Lipking: "Rachel"
Thank you for watching! I want to say hello to all my american friend, Darcy, Mark, Justin, Sean, Adam, Doug, Mary Jordan and Every celebrity i put! i love you!

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Amalric, the future heir of Caesar? Morning Glory

If is disappointing that the appointments to the excellent Caesar Tour is at number 6, behind those of La Princesse de Montpensier (7), The Ghost Writer (8), Gainsbourg (8) and Men and Gods (11), Mathieu Amalric can claim to harvest if they are the best, at least the most prestigious: Best Editing, Best Cinematography, Best Sound, Best Costume Design, Best Original Screenplay, Best Director and Best Picture. In good
fayot Academy, as was previously A prophet , Seraphine, Lady Chatterley and so is Men and Gods which won the largest number likely to get cuts golden. And as the big surprises are actually quite rare in such ceremonies, it is likely that the film by Xavier Beauvois boring in a large raid party. Sfar could walk away with some awards, even if that Caesar techniques. So, that dream Amalric won second place with a small Caesar Best Director, although the probability is low, and thus become the heir of the ceremony, 2011. Go dream.

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Morning Glory sounds return to a comedy film made famous by Maid in Notting Hill there ten years, which has meantime to try things slightly more dramatic but no less skillful as Lanes or The Mother .
What we can not withdraw to Roger Michell's well being a very talented craftsman, very comfortable whatever genre he touches, director of actors quite convincing and clever metering still distilling its action scenes with the best rate possible. With
Morning Glory So he got down to a comedy very public about the small world of morning shows that are special regardless of their country of broadcast to be as outmoded unbearable and yet assiduously followed by millions sleepy viewers every day of the week (Yay Morning has beautiful leftovers). Reindeer Screenplay: Aline Brosh McKenna, already responsible for accommodation rather very correct Book The Devil Wears Prada . The film not only broke three legs to a duck, but excelled, however, by the energy of his trio of actresses really on top. Here, after watching the film trailer is not expected nothing more nor less than to see a male version of Devil Wears Prada, with Harrison Ford grumpy in the role of Meryl Streep. Be reassured (half): This will not be the case ... less good.
If the string of supporting roles brings a lot of flavors, Patrick Wilson to Diane Keaton to Jeff Goldblum found pleasure on the big screen after a few fallow years, the film is in large part on Rachel McAdams shoulders that shakes as a semaphore from beginning to end, plays a young ultra-dynamic producer who fails the thankless task of raising the ratings in free fall from a harrowing morning flatness. And to do it will go after whipping a former reporter embittered and misanthropic (but famous), trying somehow to convince him to join the team of the show. Even if he tries to play the meeting between the young and the old miser wolf, it just yet to see the sparks that come off of a relationship that will remain at the stage of domestication. Surprising for the Michell of Maid in Notting Hill ... And this is not the monotonous character well portrayed by Harrison Ford, lined a game of the same style, reporting overall. Yet this is not due to small twists that they are romantic or comical, but all is lost gradually in a kind of racing entertainment mellitus and calibrated, leaving little scope for characters to express themselves sometimes arise from the shackles and screenplay, which tends to keep them tight. Then we get to a light comedy and pretty damn is undeniable, but very smooth, a bit plane-plane and too mainstream to crack in the tooth, despite the lovely little face nice ass and Rachel McAdams. We console ourselves as we can.

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Morning Glory Roger Michell - 1:42 - Released: 06/04/2011 at Paramount

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True Grit (second name)

After working as a goldsmith who led the development of their latest gem A serious man, we can understand that the Coen brothers have wanted to rest a few neurons by dealing with this remake of the 1969 Western starring John Wayne, $ 100 for a sheriff - the film that earned him the only way Oscar of his career - he himself adapted from the novel by Charles Portis. For now, True Grit is their biggest hit in terms of revenue at U.S. box office. However, we can doubt its effectiveness on French soil where the western genre has not really freedom of the city in recent years given the recent gadin Appaloosa Ed Harris, or the 3:10 to Yuma James Mangold successful yet, and casting a priori holders ... Hopefully at least for this True Grit second salvo that the claw "Coen Brothers" it is beneficial.
Speaking claw was still hard to find, despite dialogues strong typed but too dense and good old reds from his store well as Joel and Ethan Coen have accustomed us. The linearity of the story is lost in length and speech, and little action film, even cleverly buggers, can not really wake up the cowboy or cowgirl in all of us. In addition to its last half hour worthy of the best of the Golden Age, it lacks True Grit little something that would make it but conventional western licked a work truly worthy of the full work of the two brothers, and give him the bitter taste it is too often lacking. Remains a wonderful photography, some good notes of derision and interpretation Luscious Jeff Bridges as a judge blind, abrupt and misanthropic, the Southern accent to cut to the sickle.

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True Grit Joel and Ethan Coen - 2:05 - Released: 23/02/2011 at Paramount

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The son Jo

A vision of what Jo Son, we understand very quickly why its distributor Gaumont has chosen, as was done with Pathe Welcome to the Sticks and repeats with the next Nothing to declare to opt for a pre-release in the Southwest of France, land of rugby, tapes and speaking go (let's say that) ... Same type of nod to a region beloved by the author, some players felt a little accent, small mannerisms and a history steeped in popular culture, family, sport, love, affirmation. With more tact and less ease than its predecessor Dany Boon, Philippe Guillard, which is the first film as writer, screenwriter, dialogue writer and director, succeeds (you can tell) even when his shot. Although
Jo's son is a nice comedy full of good feelings - not a surprise - Guillard takes the trouble to develop this father-son relationship at the center of all problematic, but with a certain lack of affirmation that he does not avoid some of the compulsory figures "touching the French comedy" abuse jokes, the repeated musical interludes, the dramatic tone pompously used as synonymous with reliability. It does not sink into caricature free, do not exaggerate too much features, but Do not instill enough personality not to the protagonists of the story that really focuses on them other than characters fables. Remains at its first Long qualities often more worthy of a TV movie as a work of cinema and the smell of Sunday province a bit nostalgic, not unpleasant but a bit conventional.
Writer regular Fabien Onteniente, one can easily imagine the director of marmoset Camping tackle such a project. In the end, it appears that Guillard clumsy with its sweetness comes out better behind the camera than his mentor, we save the furniture. Good for him and for us.

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Jo's son Philippe Guillard - 1:35 - Released 12/01/2011 (pre-release on 29/12/2010 in South-West) Gaumont in

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Black Swan

There are several public to consider. First the fan community that has developed out of Pi, confirmed with Requiem for a dream , seething with impatience and tramples since the project started Black Swan, as expected new masterpiece, yes, but primarily as the link between the two sides of Aronofsky: playwright fond of introspection fantastic and metaphorical The Fountain, and the great portraitist of Pi and The Wrestler . Followed dissidents, who have called him a genius with Requiem ... then divorced The Fountain, too romantic, too literally. Then there are newcomers who have discovered thanks to Aronofsky's Golden Lion he won with The Wrestler. Audiences on the edge because of the affection for the character played by Rourke, despite some brutal scenes in the wrestling, there is not much in Black Swan that household never his heroine, yet so vulnerable at first. There will finish the curious (or skeptical!), Attracted by the cast, the haunting presence Natalie Portman on a French poster subtle (perhaps too) or at least less vehement than the U.S. displays, or that of Vincent Cassel, the local stage. Or attracted by the subject, revolving around the ballet, or when the fantastic side outlined in the trailer. This audience will split into two, ex officio, who will love or hate.
Where am I up? Unfortunately in the first category. Not that I lose all objectivity due to the excellent Darren Aronofsky movie realizes this, but I have a few strands of regret at the thought of not being able to discover Black Swan neutral with respect a spectator, certainly hard, why not film buff, but not as partisan and imbued his vision than I already am. However, it allows me to express to you all modesty that Black Swan may well patch up the first two categories ... Less than calmly
The Wrestler, his project the less personal and yet more human, but more subtly than its predecessors, it manages to navigate his camera from capturing the conscious, subconscious and simple kinematics with some ease and a genius of the frame. I let you follow this link to discover what says Nicolas on his excellent blog Filmosphère . But if Darren Aronofsky is undoubtedly a genius of the staging and images, it is also one of the best directors of actors in business. Just see how Sean Gullette Hugh Jackman, he managed to extricate the grace of his performers. Here, Natalie Portman is literally magnified, extolled. She excels from start to finish, it does not interpret the character, the character she is, just as the heroine of the film shuffles his fate with that of the Swan Queen of the work of Tchaikovsky. In its slow march towards what will be an explosion, or rather the final implosion implement a labyrinthine, multi-referenced, the actress is full of ardor, as well as search in vain for his character. Impossible not to see Black Swan vision sixty-plus-years later, revealed at the time by Michael Powell and Emeric Pressburger in The Red Shoes, a horribly heavy artistic world, who as a student crushes the spirits and bodies. More from Aronofsky, the inner struggle is more exhausting, when addressing the mental balance of a young woman lost in conflicting emotions and crushed by a claustrophobic relationship with the mother. However, reaching to
not the heights of great beauty and romantic The Fountain, Darren Aronofsky certainly sign her second master piece, managing to navigate between genres without spoiling, making sure the transition to sublimate both The Lake Tchaikovsky's Swan and the aura of an actress too often considered fragile, in a powerful crescendo destructive. It surrenders to the experience and it emerges bruised but happy.

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Black Swan Darren Aronofsky - 1:43 - Released 09/02/2011 at Fox Searchlight

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paint after a Monopoly

Yes i am going to translate this blog in English next time;)

Hello! Well this afternoon I continued my painting, as usual I will have to reconsider my skin tones, it will not I think.
Damien, what has become of you? when are we all painted the two? happens when you want;)

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Never Let Me Go, anticipation of tragedy

A film by Mark Romanek. If his name means nothing to you, this is normal, the bearded man has not a filmography of the patient. 1985, the first feature film as director, Static , and 2002, of the second: Photo obsession (One Hour Photo ) with Robin Williams turned and scary at will. Meanwhile, it has mainly taken on the role of producer and directed several music videos for Madonna among others, Janet and Michael Jackson. But if so, how much good he has taken to adapt the eponymous novel (translated into French by the positive Near Me always) the Anglo-Japanese author Kazuo Ishiguro successful, already responsible for Remains of the Day brought to the screen by James Ivory. If

in society for years 70-80-90 described therein, parallel reality constructed like a piece of anticipation that would be turned towards the past, humanity can boast access to hopes of up to 100 years, through culture and education of human clones whose existence once adulthood is reached entirely dedicated to organ donation. It is in this environment that Kathy remembers his youth with Ruth and Tommy, while all three were residents of a particular good private school, cut off from the surrounding world, preparing them for future activities of donors.

The science fiction of this amazing, being able to divert a reality proved to remove the juice of its development. Here, no special effect or inappropriate scenario drawers. It is simply a question to ask a simple problem: how, in the second half of the 20th century has seen amazing progress in many areas of medicine and genetics, can we resolve the issue of longer life expectancy? How to face death without touching the magic? The starting point, defining the universe of the story is a devastating reality. Next

route of the three characters, if the motor of the narrative is a bit slow to start as in those long scenes of childhood in boarding school Hailsham, tone up crescendo once posed the groundwork for the tragedy. Tragedy in the inevitability of fate of the characters, coupled with the overwhelming melodrama tinged with jealousy, love and mystery that weaves between them. Stain finally feeling that they are capable of experiencing, the ones who are human disposables, "creatures" made for the good of humanity and educated as such. It once likened the stifling atmosphere of the company that offers life to be better able to absorb it again, we notice the beauty of a wedding photograph in the pastel colors of the stunning scenery of hills English , a pleasant use of color panels to materialize ellipses scriptwriting, and the sublime trio of young actors (despite his pouting Keira Knightley and normal a little bit annoying) by far led by the adorable little face of Carey Mulligan, subjugating , combining enthusiasm, sadness and resignation to a future that she knows will embrace despite the disgust.

on a note of serenity tinged with nostalgia as the character of Kathy, the narrator and heroine, the story ended, using a pragmatic approach that is taken literally in the middle of mouth and our eyes are wet not soon forget after the vision of what already seems to be one of the finest films of the year 2011.

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Never Let Me Go by Mark Romanek - 1:43 - Released 02/03/2011 at Fox Searchlight

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A balcony overlooking the sea

In this dark day when Pete Postlethwaite is more idea what the hell good night to go see the latest film from Nicole Garcia and his photography worthy of the most beautiful open-plan maps Postcards from the Mediterranean coast in a beautiful summer afternoon ... Is it to Jean Dujardin, the French actor extolled as a mix between George Clooney's class and poise of a young Sean Connery? Is it for the sake of Marie-Josee Croze, who have done more than a dream and more than once? Is this the penchant for romantic Nicole Garcia and his attraction to the golden destiny slightly upset ...? Because

-that A balcony overlooking the sea and hackneyed use everything that is. Nicole Garcia, who turns in his hometown of Oran, seems to take great pleasure in splashing up everywhere. In a plot described repeatedly in the press Hitchcock (?!), it is unclear what remains, when the thread of the story becomes entangled with the fates of characters ever in pseudo- quest for identity, traumatized by childish flirtations which it is difficult to imagine the scope twenty years later, frustrated by a heavy historical context (the war in Algeria), and an attempt financial intrigue that falls completely in the water because too vaporous and secondarily treated to the spectator pays any attention. Besides the long you end up not paying attention to much, the futility of the situations and dialogues can be blended together with some numbness well supported by the claim of all and the music more and more insistent. The brand eventually became very tiresome, despite a strong cast in which we find delicious as Michel Aumont, Sandrine Kiberlain and Toni Servillo of Il Divo and Gomorrah. And how to forgive Nicole Garcia have turned brown and the beautiful Marie-Josée Croze platinum blonde flanked by a sprawling heinous lipstick farting on the first three quarters of his film ... Even if she is returned to us naturally in the final scenes, no, Nicole, no, I do not soon forgive.

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A balcony overlooking the sea Nicole Garcia - 1:45 - Released 15/12/2010 at Europacorp

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Hello everyone and Happy New Year! I hope everyone had a great holiday! Remy
I want to tell you that acrylics and knives that you offered me one day serve me very much. My
potato if you pass by that I am making you big kisses and hope you not too cold in your country.
Ken I know you go through your blog here so make the move nondédiou! baxter and also and also and odanor Nagaz! and more!
I wish you good things!