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RUBBER and Robert

Why make a movie? No Reason. So why not do it! Starting from this premise is that Dupieux chooses to tell the story of senseless tire that comes to life and fun to blow all kinds of objects, animals or human heads, watched by few spectators with binoculars, meeting in middle of the desert as a kind of cinema in the open air (air is not seen, and There is no reason to). Why were they there to watch together this unlikely adventure? To understand the principle of No Reason . No Reason , So. Why is this tire life? No Reason. Why kill it? No Reason.
Assuming his introductory thesis - as futile as it is - until the end of his film, Dupieux is not only evidence of artistic coherence but also flagrantly a logical film unstoppable, putting up a diegesis bipolar, swinging freely between pseudo-reality and pseudo-science-fiction and communicating between the two until the final Grand Guignol, which marks the victory of biting fiction with reality.
By giving the lead to Robert tire, human characters - finished morons, idiots dominating, pushy or bimbos neuneus jaded that end badly, with the exception of Sheila, muse - inevitably find themselves sidelined, becoming pawns by the fact that the director moves at the whim of sequences in order to serve the action first. Perhaps the film have won a few roles to amplify, reveal a few reds, but no, Quentin Dupieux assume through his deliberate choice to make Rubber something sarcastic, crazy and anxiety, much influenced by the Cronenberg's Scanners and slashers years 70-80, and that makes her story all its own does not try to explain anything or outside the freedom to create. In good autocrat clairvoyant and trendy, it loads itself of photography and a part of the music, mastering the technical company to the stage.

Rubber from the points of series B do not, is to be objective evidence that the picture any idea, however slight or incongruous, may well result in a real movie theater, if is that the author takes the trouble to develop sufficiently, with a healthy dose of irony and cunning. And just for that, he deserves to be commended.

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Rubber Quentin Dupieux - 1h25 - Dist. : UFO Distribution - Released: 10/11/2010